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Poetry
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DEFINITION po'em, n. [Fr. poeme; L. poema; Gr. poiema,
anything made, a poem, from poiein, to make 1. an arrangement of words in verse, especially a rhythmical composition,
sometimes rhymed, expressing fact, ideas, or emotions in a style more
concentrated, imaginative, and powerful than that of ordinary speech: some poems
are in meter, some in free verse. 2. a composition, whether in verse or prose, having beauty of thought or
language.
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| POETIC LICENSE |
TERMS |
| 1. archaism - use of archaic words |
Metaphor
- comparison of two unlike things |
| 2. neologism - coined word ( onomatopoeia, sound resembling
what it is describing) |
Simile - comparison of two unlike things using like or
as. |
| 3. word order - other than normal speech |
Rhyme scheme - order in which rimed words occur ( a,b,a,b) |
| 4. poetic diction - typical of poetry ( e'er, o'er, ...) |
Sonnet - 14 line poem |
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POETRY READING PROCESS |
| 1. Read poem once
straight through ... don’t dwell on difficult passages. |
| 2. Read for exact
sense of all the words ... use dictionary. Journal definitions and
paraphrasing. For long or epic poetry, journal at
increments of about one page. |
| 3. Read the poem aloud
or hear someone else read it. |
| 4. Paraphrase the poem.
Remember ... journal
definitions and paraphrasing. For long or epic poetry, journal at increments of
about one page. |
| 5. Determine the theme
and subject of the poem. |
| 6. Identify the
metaphor and simile in the poem. |
| William Butler Yeats
(1865-1939) |
| THE LAKE ISLE OF INNISFREE - 1892 |
I will arise and go now, and go to Innisfree, |
| And a small cabin build there, of clay and wattles made: |
| Nine bean-rows will I have there, a hive for the honey-bee, |
| And live alone in the bee-loud glade. |
| And I shall have some peace there, for peace comes dropping
slow, |
| Dropping from the veils of the morning to where the cricket sings; |
| There midnight's all a glimmer, and noon a purple glow, |
| And evening full of the linnet's wings. |
| I will arise and go now, for always night and day |
| I hear lake water lapping with low sounds by the shore;
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| While I stand on the roadway, or on the pavements gray, |
| I hear it in the deep heart's core. |
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PARAPHRASE |
| I’m going to get up now, go to Innisfree, build a cabin,
plant beans, keep bees, and live peacefully by myself amid
nature and beautiful light. I want to, because I can't forget
the sound of that lake water. When I'm in the city, a gray and
dingy place, I seem to hear it deep inside me. |
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| D. H. Lawrence
(1885-1930) |
William Shakespeare
( 1564-1616), From The Sonnets |
| PIANO - 1918 |
SONNET 18 |
| Softly, in the dusk, a woman is singing to me; |
Shall I compare thee to a summer's day?
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| Taking me back down the vista of years, till I see |
Thou art more lovely and more temperate:
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| A child sitting under the piano, in the boom of the
tingling strings |
Rough winds do shake the darling buds of May,
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| And pressing the small, poised feet of a mother who
smiles as she sings. |
And summer's lease hath all too short a date:
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| In spite of myself, the insidious mastery of song |
Sometime too hot the eye of heaven shines,
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| Betrays me back, till the heart of me weeps to belong |
And often is his gold complexion dimmed;
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| To the old Sunday evenings at home, with winter outside |
And every fair from fair sometime declines, |
| And hymns in the cozy parlor, the tinkling piano our guide. |
By chance or nature's changing course untrimmed:
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| So now it is vain for the singer to burst into clamor |
But thy eternal summer shall not fade |
| With the great black piano appassionato. The glamor |
Nor lose possession of that fair thou ow'st, |
| Of childish days is upon me, my manhood is cast |
Nor shall Death brag thou wand'rest in his shade, |
| Down in the flood of remembrance, I weep like a
child for the past. |
When in eternal lines to time thou grow'st. |
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So long as men can breathe or eyes can see, |
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So long lives this, and this gives life to thee. |
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| John Lennon
(1940-1980) Paul McCartney (b. 1942) |
Langston Hughes
(1902-1967) |
| ELEANOR RIGBY |
THE NEGRO SPEAKS OF RIVERS |
| Ah, look at all the lonely people! Ah, look at all the lonely people! |
I've known rivers: |
| Eleanor Rigby ... Picks up the rice in the church where a wedding has been, |
I've known rivers ancient as the world and older
than the flow of human blood in human veins. |
| Lives in a dream, ... Waits at the window |
My soul has grown deep like the rivers. |
| Wearing the face that she keeps in a jar by the door. Who is it for? |
I bathed in the Euphrates when dawns were young. |
| All the lonely people, Where do they all come from? |
I built my hut near the Congo and it lulled me to sleep. |
| All the lonely people, Where do they all belong? |
I looked upon the Nile and raised the pyramids above it. |
| Father McKenzie, ...Writing the words of a sermon that no one will hear,
... No one comes near. |
I heard the singing of the Mississippi when Abe Lincoln went down to New |
| Look at him working, ... Darning his socks in the night when there's nobody there. What does he care? |
Orleans, and I've seen its muddy bosom turn all golden in the sunset. |
| All the lonely people, Where do they all come from? |
I've known rivers: Ancient, dusky rivers. |
| All the lonely people, Where do they all belong? |
My soul has grown deep like the rivers. |
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Eleanor Rigby ... Died in the church and was buried along with her name. Nobody came. |
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Father McKenzie, Wiping the dirt from his hands as he walks from the grave, No one was saved. |
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All the lonely people, Where do they all come from? |
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All the lonely people, Where do they all belong? |
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Ah, look at all the1onely people! Ah, look at all the lonely people!
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| Alfred Lord Tennyson
(1809-1892) |
Edgar Allen Poe (1809 - 1849) |
| THE CHARGE OF THE LIGHT BRIGADE (First
three verses) |
THE BELLS -
1849 (First verse
only)
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| Half a league half a league, Half a
league onward, |
Hear the sledges with the bells - Silver bells! |
| All in the valley of Death Rode the
six hundred: |
What a world of merriment their melody foretells! |
| 'Forward, the Light Brigade! Charge
for the guns' he said: |
How they tinkle, tinkle, tinkle, In the icy air of night! |
| Into the valley of Death Rode the six
hundred. |
While the stars that oversprinkle All the heavens seem to
twinkle With a crystalline delight; |
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Keeping time, time, time, In a sort of Runic rhyme, |
| 'Forward, the Light Brigade!' ... Was
there a man dismay'd ? |
To the tintinnabulation that so musically wells From the
bells, bells, bells, Bells, bells, bells - |
| Not tho' the soldier knew Some one had
blunder'd: |
From the jingling and the tinkling of the bells. |
| Theirs not to make reply, Theirs not
to reason why, Theirs but to do & die, |
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| Into the valley of Death Rode the six
hundred. |
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| Cannon to right of them, Cannon to
left of them, Cannon in front of them ... Volley'd & thunder'd;
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| Storm'd at with shot and shell, Boldly
they rode and well, |
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| Into the jaws of Death, Into the mouth
of Hell ... Rode the six hundred.
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| Robert Frost
(1874-1963) |
George Gordon, Lord Byron
(1788-1824) |
| STOPPING BY WOODS ON A SNOWY EVENING |
SO WE'LL GO NO MORE A-ROVING |
| Whose woods these are I think I know, His house is in the village though; |
So we'll go no more a-roving So late into the night, |
| He will not see me stopping here To watch his woods fill up with snow. |
Though the heart be still as loving, And the moon be still as bright. |
| My little horse must think it queer To stop without a farmhouse near |
For the sword outwears its sheath, And the soul wears out the breast, |
| Between the woods and frozen lakeThe darkest evening of the year. |
And the heart must pause to breathe, And Love itself have rest. |
| He gives his harness bells a shake To ask if there is some mistake. |
Though the night was made for loving, And the day returns too soon, |
| The only other sound's the sweep Of easy wind and downy flake. |
Yet we'll go no more a-roving By the light of the moon. |
| The woods are lovely, dark and deep, But I have promises to keep, |
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| And miles to go before I sleep, And miles to go before I sleep. |
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| W. H. Auden
(1907-1973) |
Larry Sunderland
(1942-still kicking) |
| EPITAPH ON A TYRANT |
MOORINGS |
| Perfection, of a kind, was what he was after, |
I look for love and seem to be |
| And the poetry he invented was easy to understand;
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Free to choose like a ship at sea |
| He knew human folly like the back of his hand,
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Would find its port lest both we
failed |
| nd was greatly interested in armies and fleets; |
To free our moorings and never
really sailed. |
| When he laughed, respectable senators burst with laughter,
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| And when he
cried the little children died in the streets. |
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| Dylan Thomas
(1914-1953) |
Robert Burns
( 1759-1796) |
| DO NOT GO GENTLE INTO THAT GOOD NIGHT |
A RED, RED ROSE |
| Do not go gentle into that good night, Old age should burn and rave at close of day; |
0 my luve's like a red, red rose, |
| Rage, rage against the dying of the light. Though wise men at their end know dark is right, |
That's newly sprung in June; |
| Because their words had forked no lightning they Do not go gentle into that good night. |
0 my luve's like the melodie |
| Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay,
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That's sweetly played in tune. |
| Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, |
As fair art thou, my bonnie lass, |
| And learn, too late, they grieved it on its way, Do not go gentle into that good night. |
So deep in luve am I; |
| Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, |
And I will luve thee still, my dear, |
| Rage, rage against the dying of the light. And you, my father, there on the sad height, |
Till a’ the seas gang dry. |
| Curse, bless, me now with your fierce tears, I pray, Do not go gentle into that good night. |
Till a' the seas gang dry, my dear, |
| Do not go gentle into that good night. Rage, rage against the dying of the light. |
And the rocks melt wi' the sun: |
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I will love thee still, my dear, |
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While the sands o' life shall run. |
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And fare thee weel, my only luve, |
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And fare thee weel awhile ! |
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And I will come again, my luve, |
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Though it were ten thousand mile. |
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